Idroscalo di Milano•2025
This mural is arranged in a pyramid shape, with the central element left dominant and empty in comparison to the others. As one moves away from the centre, the shapes lower and intertwine, giving rise to protrusions and interlocking elements that seek to hold everything together. At the end of the work, I decided to finish the piece with a white outline used only for the external edge. Thanks to this technique, the mural has become, in my eyes, a giant fake sticker applied to the wall.