2025
For the second series of “Stencil on paper”, I chose to make some changes to the way the stencils are cut. I have moved away from straight lines of uniform thickness to explore softer lines of varying widths. What remains central is the contrast between the precision of the stencil and the messy result seen in many of the works, caused by drips but also by the way the different types of paper I use react to the spray paint.